Happy 9th Anniversary, Master!

9th Anniversary

A long time ago, in a sim far, far away,

Walter took Camryn as his submissive.

Nine years have passed since that day.

The Force is strong with this couple!

Master, may the Love be with you, always!

Happy 9th Anniversary, Master! Thank you for 9 fabulous years!

Add Violence: My Journey With Nine Inch Nails

Challenged by friends, I set out to answer the question: “Why do I love Nine Inch Nails?”

It is a puzzling question, for sure. Anyone who knows me would never guess my favorite band. I am a classical musician by training, and a quiet person by nature. Even more puzzling is why I like Nine Inch Nails, but have never found a single other band in the same genre that I can tolerate. For me NIN is, apparently, unique.

[A note: This is NOT an overview of Nine Inch Nails, or a Greatest Hits compilation. Let me just note that although I am a decent musicologist in my own field, I am 100% not qualified to judge rock music. So I am only offering my own subjective reactions, not opinions.]

First I’ll tell you how I discovered Nine Inch Nails. That will probably reveal some things about why I like this music.

Picture it: Second Life, early 2007. I was a few months old and had fallen in with a community led by an artist and builder named Baron Grayson. Baron’s creativity fascinated me. The things he could pull out of his imagination were amazing. He was sort of Goth, which was a new thing for me. The worlds he created were dark, beautiful and rich with narrative.

Baron Worlds Collage

 

Baron and Trent smallBaron streamed NIN as the background music on his sims. The music was a perfect match. As you can see, he even modeled his avatar after him.

So NIN was the soundtrack of my life in 2007. This also tells you at what point in Trent Reznor’s evolution I joined the stream. It was firmly post-sobriety. I love all music by NIN but for this discussion I’m going to focus on music from 2002 on.

When I first heard NIN, I admit I recoiled from the more violent, screaming stuff. But Baron also played the moody ambient NIN and the acoustic and stripped down songs from the album Still. All the music on Still is pretty quiet, so it was easy for me to listen to.

[Adrift & At Peace – Still, 2002 – 2:52]

I remember thinking how much it reminded me of Arvo Pärt: meditative, hypnotic, and gently repetitive, like a mantra. The gentle repetition gives the music a feeling of stasis, of being suspended in time. At the same time, one can sense a subtle sadness underneath the serene sounds. I think I connected with that sadness, even more than the serenity.

Then Year Zero came out. At the time,  my life was in a place where the album’s message that “the world is fucked” totally resonated with me. All that despair in the lyrics, and the more violent sounds, started connecting with the darker places in my head.

Drawn by the darkness, gradually I found myself more willing to listen to the louder songs. And I was surprised by what happened. It was almost as if the music created a container, and instead of trying to push away my black thoughts and emotions, I discovered I could pour them into this container… and they wouldn’t destroy me.

For example, the last half of this next song just explodes in a violent tidal wave of noise – and somehow I found that instead of shrinking from it, I could fucking swim in it. I felt this exhilarating mix of primitive rage and elation.

[The Great DestroyerYear Zero, 2007 – 3:17]

I can barely tell you how liberating it was, after 50 years of trying to deny my dark side, to finally embrace it.

When The Slip was released the following year, I was embroiled in a really twisted relationship in Second Life. I was massively depressed, and one song on The Slip seemed to have been written especially for me. I played it over and over. Like many of Trent Reznor’s tortured torch songs, it’s very bleak and yet very tender.

[Lights in the SkyThe Slip, 2008 – 3:29]

So that’s the emotional underpinnings of my love of Nine Inch Nails.

But there are also some more objective things I like.

I like that the music sounds transparent, even when it’s loud; the various electronic sounds are separated so that it feels like there’s space between them, and you can hear them, instead of having it all blend into one big soup of noise.

I like how he layers all the sounds, building layers and then stripping them away. If the sound was full out all the time, I would become numb. But he controls the level of intensity, letting it rise and fall so it’s never too much for too long. That actually serves to make the intensity even more intense. It is really true that nothing is so loud as when it is surrounded by silence.

[Copy of aHesitation Marks, 2013 – 5:22]

I like his use of dissonance and distortion, not gratuitously, but sparingly, to make a point, like the pain represented in the opening notes of Hurt, or the distorted bending as the world begins to come apart in the second verse of The Great Destroyer.

I like that he uses motifs that appear in several songs. They are like clues that connect ideas. Sometimes he will invert the motif, or harmonize it differently, sort of teasing the listener into following him into the maze. He refers to it as a “trail of breadcrumbs.”

I like that the music is intelligent. It’s emotionally raw, for sure, but it’s not mindless. It rewards thoughtful exploration.

As a singer, I have a deep appreciation for poetry, and I find his lyrics very affecting.

And I love the energy and the pure physicality of the hard beats. It’s part of what creates the container for my darkness, capturing my body and making me get involved. I can’t sit still while listening to Nine Inch Nails. It compels me to respond.

I’ll stop talking now and simply offer three songs that illustrate these points.

[Less ThanAdd Violence, 2017 – 3:30]

[While I’m Still HereHesitation Marks, 2013 – 4:02]

[Just Like You ImaginedThe Fragile, 1999 – 3:49]

to be continued…

 

What Is Your Virtual World Type?

Find out which of these 12 virtual world personalities best describes you.

What type of virtual world person are you?

In a recent discussion, someone said, “What people want in the virtual world is…” They proceeded to describe a world of zero interest to me. Within a few minutes it became clear that the virtual world cannot be summed up so neatly. Not everyone wants the same thing in virtual worlds.

I’ve identified at least 12 types of virtual world people. Most of us are a combination of these types, but I believe we tend to identify most strongly with one or two of them. Which one(s) are you?

The Chatter — Your main interest is conversation, and to you, the virtual world is a big chat room. You participate in several chat groups. Your favorite people are witty, talkative and convivial; you don’t care much what their avatars look like, only what their text looks like. You have lots of friends and relationships. You enjoy hanging at clubs and social events, but usually your avatar is parked somewhere while you chat. You don’t pay much attention to your surroundings because your screen is usually covered with multiple IM windows.

The Aesthete — In contrast to the Chatter, the visual element of the virtual world is exactly what draws you to it. Your pleasure comes from what you see. Exploring places that evoke deep feelings and real sensations, dressing your avatar in stylish and beautifully crafted clothes and accessories, collecting exquisitely designed things – these are your source of delight. Your thirst to have them is what fuels the virtual economy; you depend on The Craftsman and The Artist to supply your bliss. You don’t need as much interaction as The Chatter; you can be just as happy spending time by yourself, making outfits, posing and taking selfies for your blog.

The Engineer — You are fascinated by how the virtual world works. To you, it is a toy to be taken apart, analyzed and manipulated for fun. You don’t get very immersed, because you are always thinking about what makes it work. The visual element is only important to you insofar as it tells you what is going on underneath. You script, you build, you may even run your own grid, and you take pleasure from things working right. We depend on you to make the world work. Aesthete types irritate you because the visual splendor they crave causes lag. And they don’t even seem to care.

The virtual world stubbornly refuses to be summed up as one thing. It is many, many things.

The Glitterati — A combination of Chatter and Aesthete, you love bars, clubs, dances and events, but unlike the Chatter, you aren’t just there for the talk; you also revel in the visual surroundings. You especially like how sexy and stylish you (and your partner) look, and how great you feel to be surrounded by the grid’s social elite. You have a charismatic personality and your presence is the magnet that attracts others to the scene. At your best, you use your popularity to energize charity events.

The Artist — You are a graphic artist, designer, photographer, painter, writer or filmmaker. The virtual world is your inspiration and your canvas. You spend most of your time creating scenes to photograph or video, then retreat to editing software perfecting your artwork. You may create giant 3D art installations. You create for your own satisfaction, not for the market. You may be part Engineer, using technology as a tool to expand your artistic palette. You may have friendships, but art is the one love you can’t live without.

The Craftsman — You make stuff. You have the soul of the Artist but the practicality of a business person. You make the things others need to make the virtual world feel real. You build houses, you create clothing, you make furniture and décor, you design sims, you make trees or vehicles or adult toys or body parts. With a little luck, you also make money. Everyone needs you; Aesthetes worship you. You probably began with a starry-eyed appreciation for the virtual world but now you spend all your time alone on a platform making stuff. But you’re okay with that.

The Horndog — For you, the virtual world is a way to create your own porn. You hang out at Sex Island or any place with a large number of willing partners. You’re really only there long enough to persuade someone to go to RL voice and cam sex, so you aren’t that interested in virtual appearance. If you are male, you may be attracted to female avatars with enormous boobs and as little clothing as possible, who agree to sex without too much effort on your part. Good thing, because you probably have a noob avatar, a free plastic penis and verbal repertoire limited to “mmm” and “harder faster”.

How we relate to others in the virtual world, the effect that the visual element has on us, what we find important, and how we think of our avatars are all variables that differ dramatically from one person to the next.

The Player — The play’s the thing… role play, that is. You are an actor and a storyteller, and you want to inhabit the stories you create. Both interaction and aesthetics are important to you, for the sake of immersion. You think of your avatar as a character, a separate person from yourself, as you would regard a character in a story you are writing. You need a community of fellow storytellers, so you seek out writers and groups like Steampunk, Gor, Elves, SciFi, historical recreations and post-apocalyptic wastelands.

The Domestic — While others are role-playing in fantasy worlds, you are most content with a virtual life that looks very traditional. Maybe your RL is stressful and you need some relief. You want to create your happy place. You use the visual element of the virtual world to its most positive effect. You have a lovely home that gives you great pleasure. You may be content with solitude, though you probably have a partner, who has become an essential component of your happy place. You spend most of your time fixing up your private home, and simply enjoying being there.

The Dreamer — Your imagination takes flight in the virtual world, more than most others. You immerse so completely that you forget the “real” world. You crave experiences and you eagerly soak up everything the virtual world has to offer. Your curiosity is boundless. You want to see strange new worlds, meet intriguing people, and see what it’s like to live as someone – or something – else. You may have a non-standard avatar, perhaps an animal, kid, robot, monster or supernatural creature. You want to dream it and be it.

The Gamer — You like online games, and your main interest is turning the virtual world into a game. In RL you probably played Farmville, Skyrim, Call of Duty or Pokemon Go. It’s all about the game for you. You probably can be found in the virtual world playing Greedy, collecting breedables, fighting in a combat zone, racing vehicles or solving a MadPea quest – as long as it yields points and prizes, levels and achievements. You might form friendships with your competitors, but you probably just think of them as NPC’s.

The Publicist — You are here with a message to share. You are devoted to a cause; you may champion a charity, or perhaps you are a survivor, an enthusiast or a scholar. You use land in the virtual world to create exhibits and educate people about real life things like health, religion, social issues and history. Your work adds value to the virtual world. You participate occasionally in festivals and charity fundraisers but your primary interest is in the “real” world and you rarely let down your guard in the virtual one.

I think it’s great that there are so many different perspectives on the virtual world, and that it stubbornly refuses to be summed up as one thing. It is many, many things. I find it fascinating that others look at the virtual world so very differently from the way that I see it. How we relate to others in the virtual world… the effect that the visual element has on us… what we find important… how we think of our avatars… all are variables that differ dramatically from one person to the next.

I’ve intentionally omitted a few types like griefers and spammers. But I know there may be some others. What else have I left out? What type of virtual world person are you?

Bigotry and Ignorance at HG Visionz Magazine, Opensimulator, Hypergrid

Bigotry is a commitment to ignorance. In the Information Age, ignorance is a choice.

Recently Walter was asked by the staff of HG Visionz, a small online magazine that covers various Opensim features, to submit an article about Littlefield Grid’s BDSM regions. At their request, Walter wrote a great article highlighting those regions on Littlefield Grid that cater to people who enjoy BDSM.

We were just informed that, even though the article was written at their request, the “staff” (which I think means one or two people) decided not to publish it because — get this — although the article was very general in nature, with no adult content, the acronym BDSM was deemed to be X-rated.

This was clearly a not-very-well-concealed pretext for displaying the prejudice of the “editor” against BDSM. Is there a fear that simply reading those four letters might make someone think about… omg… SEX?!? Well, then, I am sure that HG Visionz will also decline to publish any article that mentions lesbian, gay or transgender communities, since that acronym LGBTQ is clearly too dangerous to read.

Or, for that matter, they had better decline any article that mentions marriage, or romance, or dancing. Especially dancing. And rock music. You know, like it says in the movie Footloose, dancing leads to relaxed morality. We certainly can’t have any of that in Opensim!

Sarcasm aside, I continue to be astounded by the ignorance displayed about BDSM. Even more so, by the fervor with which some people willfully cling to that ignorance. That is what makes it rise to the level of bigotry. Bigotry is an emotional commitment to ignorance about groups of people. And in the information age, ignorance is a choice.

What’s even more astounding is the hypocrisy behind the public posturing. It is well known that “adult” activities are wildly popular throughout the virtual world. I’ll wager there are very few people who haven’t tried sex animations. And of those who have, I’m sure a hefty percentage also enjoyed at least a little bedroom bondage, if not more.

D/s relationships are founded upon love and respect.

First let me address the ignorance head-on. D/s, the foundation of BDSM and the central letters of the fearsome acronym, stands for Dominance and submission, which is a consensual agreement between a couple where one person surrenders control to the other. Within that extremely broad container, there are many different types of relationships; I’m not asserting that all are the same. But in my experience, any sexual content in most of those relationships is no more public than that of “vanilla” couples. In the eight and a half years we have been together, Walter and I have never had sex in public, only in our own home or on our own sims.

Also in my experience, D/s relationships are founded upon love and respect. I made a consensual choice. I chose to surrender control to Walter because it gives me pleasure to do that, and it gives him pleasure too. I wear a collar, which is not a symbol of slavery, but a symbol of love and commitment to the vows we made… not unlike a wedding ring.

But, you know, love and commitment… those are things that HG Visionz can’t mention in their magazine, because they seem to believe that love and commitment are not family-friendly.

Anyone with any knowledge at all of BDSM knows that the attitude of the HG Visionz “staff” is ignorant. It’s important to me to speak up about it, because perpetuating that kind of ignorance is a very, very dangerous habit.

They may believe that we should keep to ourselves and only whisper about our relationship behind closed doors. LGBTQ people have been told the same thing. Thankfully, they realized that keeping their loving relationships secret simply helped to feed the ignorance and bigotry, and the hate that grew from it. They stepped into the light, and showed the world that gay couples can be a shining example of love and commitment. They can have children and raise families that are just as wonderful (and just as flawed) as straight families. They are human, with all the promise and possibilities of any other humans. Had they remained in the shadows, the world at large might never have figured that out.

By relegating BDSM relationships to the shadows of “x-rated” content, HG Visionz Magazine is participating in the fostering of hate, by choosing to be committed to ignorance. That is bigotry.

And in the 21st century, it is a disappointment to find people still trying to justify it.

Get over it

Dear world:

Yes. I am a strong, intelligent, secure, capable, boringly normal woman who is in a D/s relationship. Get over it, already.

Do not for a moment imagine that I have low self-esteem. I own who I am, I am humble about my challenges (we all have some), and I am proud of my gifts, abilities and accomplishments.

Do not imagine that I cannot recognize spite and petty jealousy when I see it.

Do not call me a doormat. I am independent and self-sufficient and there is only -one- person who gets to tell me what to do.

Do not call me weak. My way of life requires a reserve of inner strength you only wish you had.

Do not call me passive. I made a carefully considered decision, of my own free will, with clarity of mind, heart and conscience. Our life is a mutual, consensual choice.

Do not call me a bimbo. I have exquisite taste and I don’t wander around dressed like a hooker. My sex life is as private as yours, and probably no kinkier.

And p.s. It’s none of your business anyway.

I have been given the gift of submission, the freedom to surrender, the grace to trust, the privilege to love.

If that bothers you, I’m not the one with the problem.

Everyone should be so lucky as me.

.

(reprinted from 2010)

On the 4th Anniversary of Littlefield Grid

In 2014, on the 1st Anniversary of the opening of Littlefield Grid, my remarks were about building. On the 2nd Anniversary, my subject was inspiration; last year, on the 3rd Anniversary, I spoke about family. Today, I have one thing to talk about: Gratitude.

Gratitude is not only a debt we owe, or something we do to make someone else feel good. Gratitude should be something we do for ourselves. Having an attitude of gratitude, opening your eyes to look at your life and realize just how good you’ve got it, makes YOU a happier person. When we leave off complaining, and instead live in the awareness of the gifts we have been given, it changes our perspective about everything.

We have it good here on Littlefield Grid. We all could take a moment to step back, take a look at our situation, and realize just how good we’ve got it here. While other grids have failed, Littlefield is solid. Other grids have gone out of business; Littlefield is strong. Other grids have had technical breakdowns; Littlefield is running smoothly.

That is because Littlefield has what no other grid has. We have Walter. It’s because of Walter’s outrageous generosity that we have superior technology. It’s because of Walter’s vision that we have a virtual world focused on community, not profit. It’s because of Walter’s fierce leadership that each of us has a virtual home here.

And that is why I will lead the chorus of thanks – not because you need it, Master, but because I need to be grateful.

Master, when you gave me your collar, you promised to give me flight. And oh my, you have done that and then some. Buoyed up by your confidence and your love, I have soared. We all have.

In that spirit, I dedicate my exhibit for this year’s Anniversary as a monument of gratitude, to you, Walter, my Master and my love.

And I invite everyone whose lives have been touched by Walter’s kindness to join me in saying, “thank you.”

Gratitude Monument